Forest of Amber and Gold 2023
by Amanda Horvath BA Hons first class
Acrylic on canvas (Painting continues round the sides.)
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h 60 x w 60 x d 3 cm h 23.6 x w 23.6 x d 1.2 in |
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![Share with Pinterest](https://pinterest.co.uk/pin-builder/?url=https%3A%2F%2Fukartistsonline.com%2Fdetail.aspx%3Fartist%3DAmanda%2BHorvath%26title%3DForest%2Bof%2BAmber%2Band%2BGold&media=https://www.ukartistsonline.com/Images/full/Amanda Horvath/Forest of Amber and Gold/__Forest of Amber and Gold, acrylics, 60x60cms £695.jpg&description=Forest of Amber and Gold by Amanda Horvath "Forest of Amber and Gold" was inspired by a lovely forest close to my studio in the Peak District. The painting has colours of amber, copper, red and gold with a mood of optimism and peaceful calm. The light falls through beautiful leaves while the delicate textures created with a palette knife create abstraction in the foreground.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists I continue working until the painting reaches a natural conclusion. The painting continues round the sides and it is ready to hang.&method=button "Share with Pinterest"){kind=small}
Description
"Forest of Amber and Gold" was inspired by a lovely forest close to my studio in the Peak District. The painting has colours of amber, copper, red and gold with a mood of optimism and peaceful calm. The light falls through beautiful leaves while the delicate textures created with a palette knife create abstraction in the foreground.
An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas. I begin with observation of the place making notes and taking photographs to work from in the studio. From these beginnings I work intuitively, painting some base layers with a brush and then impasto techniques layer on layer applied with a palette knife. Harnessing optical mixing techniques employed by the impressionists I continue working until the painting reaches a natural conclusion. The painting continues round the sides and it is ready to hang.